HARTFORD, Feb. 28, '91. DEAR HOWELLS,--Won't you drop-in at the Boylston Building (New England Phonograph Co) and talk into a phonograph in an ordinary conversation- voice and see if another person (who didn't hear you do it) can take the words from the thing without difficulty and repeat them to you. If the experiment is satisfactory (also make somebody put in a message which you don't hear, and see if afterward you can get it out without difficulty) won't you then ask them on what terms they will rent me a phonograph for 3 months and furnish me cylinders enough to carry 75,000 words. 175 cylinders, ain't it?

I don't want to erase any of them. My right arm is nearly disabled by rheumatism, but I am bound to write this book (and sell 100,000 copies of it--no, I mean a million--next fall) I feel sure I can dictate the book into a phonograph if I don't have to yell. I write 2,000 words a day; I think I can dictate twice as many.

But mind, if this is going to be too much trouble to you--go ahead and do it, all the same. Ys ever MARK.

Howells, always willing to help, visited the phonograph place, and a few days later reported results. He wrote: "I talked your letter into a fonograf in my usual tone at my usual gait of speech. Then the fonograf man talked his answer in at his wonted swing and swell. Then we took the cylinder to a type-writer in the next room, and she put the hooks into her ears and wrote the whole out. I send you the result. There is a mistake of one word. I think that if you have the cheek to dictate the story into the fonograf, all the rest is perfectly easy. It wouldn't fatigue me to talk for an hour as I did."

Clemens did not find the phonograph entirely satisfactory, at least not for a time, and he appears never to have used it steadily. His early experience with it, however, seems interesting.

HARTFORD, Apl. 4, '91. DEAR HOWELLS,--I'm ashamed. It happened in this way. I was proposing to acknowledge the receipt of the play and the little book per phonograph, so that you could see that the instrument is good enough for mere letter- writing; then I meant to add the fact that you can't write literature with it, because it hasn't any ideas and it hasn't any gift for elaboration, or smartness of talk, or vigor of action, or felicity of expression, but is just matter-of-fact, compressive, unornamental, and as grave and unsmiling as the devil.

I filled four dozen cylinders in two sittings, then found I could have said about as much with the pen and said it a deal better. Then I resigned.

I believe it could teach one to dictate literature to a phonographer--and some time I will experiment in that line.